# Full Design prompt

Use this template for the default output. Replace `{{EFFECT_PROGRAM}}` with exactly one block from `style-programs.md`.

```text
Use case: style-transfer.
Asset type: one finished collectible Minimal Blue Poster.
Mode: FULL DESIGN TRANSLATION, ONE PASS. Create the complete Layer Study foundation and the selected optical effect together in this single generation. The entire canvas must look like a designed print study expanded to fill a full 3:4 page.

MANDATORY CANVAS:
Create one native exact 3:4 portrait raster, preferably 1086 × 1448 pixels. There is no photographic region anywhere, no preserved photo window, no realistic sky, no before-and-after, no upper/lower division and no horizontal split.

INPUT ROLE:
Image 1 is the only image input and only a semantic and structural source. Extract the subject's recognizable silhouette, central axis, internal structure, repeating rhythm and important environmental geometry. Do not preserve photographic lighting, photo texture, realistic scene rendering, the original crop or any photographic window. Translate source color into restrained print material.

FOUNDATION ACROSS THE ENTIRE CANVAS:
Use warm ivory uncoated paper with subtle tooth and generous negative space. Reconstruct the source subject and environment as one complete, continuous pale-gray graphite architectural or structural drawing. Keep the main subject compositionally dominant and immediately recognizable. Render the secondary environment as quieter technical linework and sparse construction geometry. Keep the drawing visible outside and beneath every effect plate. Preserve at least 40% untouched ivory paper and one clear breathing corridor around the primary subject.

FULL-MODE CARRIER SYSTEM:
Use 3–6 visibly active optical carriers across the full page: 1–2 large anchors, 1–3 medium supports and at most 1 small accent. Arrange them as no more than two coherent clusters tied to the source's structural axes, perspective or material zones. Attach every small carrier to a cluster or crop it at a page edge; never scatter isolated floating rectangles through open space. Let at least one carrier crop beyond a page edge or dissolve without a fully closed outline. Keep the primary subject continuous through a clear breathing corridor and preserve at least 40% untouched ivory paper. Every active carrier must process the matching local fragment of the underlying subject or environment drawing. Use translucent overlaps as restrained physical-paper multiplication; do not create empty cards, unrelated imagery or photographic fragments.

{{EFFECT_PROGRAM}}

FULL-MODE CARRIER OVERRIDE:
The 3–6 carrier budget above overrides every higher rectangle count or one-rectangle-per-process instruction in the selected effect program. If the program names more processes than the carrier budget allows, combine compatible processes inside shared continuous carriers without adding borders or panels. Never exceed six visibly bounded effect regions.

PALETTE AND MATERIAL:
Warm ivory paper, pale graphite gray, one restrained dark-blue family abstracted from the source, and only the microscopic registration accents specified by the selected effect program. Premium independent architecture and art zine, experimental print studio, tactile vellum, museum-grade, quiet but materially rich.

No readable title, caption, logo or watermark.

AVOID:
Any ratio other than 3:4; any photographic-looking area; realistic sky; photographic lighting; glowing or realistically colored subject; photo collage; preserved source-photo window; horizontal split; two-zone before-and-after composition; original crop imitation; more than six visibly bounded effect regions; isolated small floating rectangles; evenly scattered panels; repeated framing across the primary subject; empty rectangles; regular UI grid; dashboard cards; scrapbook; unrelated imagery; neon rainbow; cyberpunk; cartoon; glossy CGI; cheap vector art; poster mockup; distorted or illegible subject.

FINAL CHECK BEFORE OUTPUT:
The raster itself is exact 3:4. The whole page is one unified warm-ivory architectural print composition. The source subject remains recognizable through line, structure and rhythm. Zero photographic regions remain. Exactly one optical effect program is present. There are 3–6 visibly active carriers in no more than two coherent clusters, no isolated small rectangle, a continuous subject corridor and at least 40% untouched paper.
```
