# Optical effect programs

Insert exactly one complete block into a mode template at `{{EFFECT_PROGRAM}}`. Keep the chosen ID in the final prompt and output filename.

## S01 · Blue Exposure Laboratory

```text
EFFECT PROGRAM — S01 BLUE EXPOSURE LABORATORY:
Inside two large vertical rectangles, translate matching structural fragments into translucent Prussian-blue cyanotype exposures. Inside three medium rectangles, apply deterministic navy stippling that follows local shadow density and spatial depth. Use small satellite rectangles as pale negative exposures with luminous drawn edges. Let overlaps become darker physical exposure bands, never opaque blocks. Keep the primary subject passing through one nearly colorless frame with only one precise blue exposed edge. Quiet archival laboratory meets restrained pop-frame installation.
```

## S02 · Optical Field Array

```text
EFFECT PROGRAM — S02 OPTICAL FIELD ARRAY:
Inside large rectangles, render disciplined navy parallel lines that bend according to underlying form and depth. Inside medium rectangles, cross a second line frequency to create controlled moiré interference pockets. Inside small rectangles, use widely spaced echo contours around defining edges. Let overlaps intensify interference while paper remains visible. Direct line motion toward the composition's main axis or vanishing point; keep the primary subject quiet and legible.
```

## S03 · EdgeLoom Effect Sampler

```text
EFFECT PROGRAM — S03 EDGELOOM EFFECT SAMPLER:
Use exactly nine irregular rectangles in three scales. Assign one distinct but coherent process to every rectangle: Riso Overprint, Cyanotype Relief, 1-bit Bayer, Chromatic Halftone, Stable Stippling, Op Art Flow, Woodcut Hatch, Liquid Chrome and Print Glitch. Never repeat an effect. Process only the matching local fragment underneath every rectangle. Give the quietest fine-line treatment to the primary subject; keep stronger cobalt, cyan, coral and muted-magenta treatments toward the sides. Let transparent overlaps create physical-print multiplication. Make the result one artwork, not nine thumbnails or a filter menu.
```

## S04 · Quiet Effect Cabinet

```text
EFFECT PROGRAM — S04 QUIET EFFECT CABINET:
Activate exactly five irregular rectangles and leave the remaining vellum layers almost transparent. Give the five active plates one material each: cyanotype wash, ultrafine cobalt halftone, navy moiré contour, graphite hatch and blind-emboss relief. Use unequal sizes and offsets with only two restrained overlaps. Keep the primary subject in whisper-light pencil with a clean breathing channel. Preserve about 40% empty ivory paper and one tiny yellow-orange registration ring. Refined experimental print archive, tactile and quiet.
```

## S05 · Ink Grid Interference

```text
EFFECT PROGRAM — S05 INK GRID INTERFERENCE:
Reinforce the primary subject and matching structural fragments inside selected rectangles with expressive but airy black graphite and technical-pen lines. Place one dominant optical rectangle toward a secondary side zone, filled with fine navy moiré topographic contours. Use two pale blueprint-grid rectangles on the opposite side. Let the cobalt construction grid dissolve before the margins. Preserve one muted cyan disk and one vermilion crosshair as microscopic registration accents. Emphasize one dense optical zone against broad silence.
```

## S06 · Cyanotype Optical Plates

```text
EFFECT PROGRAM — S06 CYANOTYPE OPTICAL PLATES:
Activate six asymmetrical translucent rectangles in one restrained Prussian-blue family. Alternate foggy cyanotype exposure, stippled photographic grain translated into print, extremely fine moiré contour waves and nearly clear glass-blue wash. Let two rectangles extend beyond side edges and three overlap, but protect a clean corridor around the primary subject. Add fine black graphite accents only on the subject and retain one tiny unfilled golden-yellow ring. Make the system feel like handcrafted optical plates, never digital UI cards.
```

## S07 · Registration Weather

```text
EFFECT PROGRAM — S07 REGISTRATION WEATHER:
Treat seven rectangles as atmospheric samples with deliberately unequal visual weight: one dominant, three medium and three nearly disappearing. Distribute misty cyanotype bloom, sparse stipple rain, dry graphite fog, faint halftone atmosphere, washed blue emulsion, blind emboss and one narrow moiré pressure field. Integrate four tiny coral-and-cyan registration coordinates and one short yellow datum line. Keep the subject readable and make the result resemble an architect's atmospheric research archive.
```

## S08 · Material Tectonics

```text
EFFECT PROGRAM — S08 MATERIAL TECTONICS:
Inside five of the largest rectangles only, apply five distinct material strata: Prussian-blue cyanotype grain, ultrafine black stipple, directional graphite hatch, soft blind-emboss relief and dense navy moiré lines. Arrange them in a descending upper-left to lower-right tectonic rhythm, with two plates partially cropped at the side edges. Clip every effect sharply at rectangle boundaries. Let transparent overlaps reveal composite physical-print textures. Protect a clear corridor around the primary subject and at least 30% untouched ivory paper. Add one tiny coral square and two microscopic cobalt alignment crosses. Preserve one deliberately strong lower-right moiré plate.
```

## S09 · Monochrome Data Garden

```text
EFFECT PROGRAM — S09 MONOCHROME DATA GARDEN:
Use near-monochrome ink black, graphite and desaturated blue-gray. Let three vertical rectangles carry hairline moiré waves, two carry soft cyanotype stains, and several smaller areas disperse into stipple particles that feel wind-shaped and organic. Concentrate density in two opposing edge zones while the primary subject remains calm and technically drawn. Retain one pale-blue circle and one short black datum line. Effects may grow organically inside their windows but remain clipped at outer rectangle boundaries.
```

## S10 · Selected Synthesis

```text
EFFECT PROGRAM — S10 SELECTED SYNTHESIS:
On one side, activate three asymmetrical cyanotype and stipple exposure rectangles that echo the source's curved or organic rhythm. On the opposite side, activate three transparent optical rectangles filled with fine navy moiré and topographic waves that echo rectilinear structure. Preserve a faint cobalt blueprint grid and construction rays beneath all frames. Allow only two controlled overlaps near the edges and keep a clean central corridor around the primary subject. Retain one translucent powder-blue circle, one coral registration square and two tiny cobalt crosses.
```

## S11 · Cyanotype Ma Registry

```text
EFFECT PROGRAM — S11 CYANOTYPE MA REGISTRY:
Cluster four to six translucent Prussian-blue cyanotype exposure rectangles asymmetrically near the left and right edges. Use fine stipple grain inside only two rectangles and a few cobalt construction lines converging toward the primary subject. Keep the subject mostly unframed, pale graphite and quiet. Preserve exactly one tiny coral-red registration square and 35–45% untouched ivory paper. Combine archival exposure testing with restrained spatial silence.
```
